Throughout process predominant singularity,
Objects strewn, fallen by waysides.
Resemblances, shadows, remnants non human.
Ghosts.
In addition, premonition, tangible coloration.
Form from ashen historic ties, sever.
Structure in constructing deconstruction.
Finding in loss.
Alliance gained in self in other, trusting, in nature.
The ongoing Transformations project in part collaboration with 3D Artist Bill Foley – Hull UK.
Here an over view gallery of our findings, examples of word derived design. Negative to positive. Transforming original drawings. 2D to 3D.
From the drawing board phases of continuous transference. From digital to hand drawn and back again. Continously breaking down or indeed opening up texts by way of creative & imaginitive embellishment.
Digital processing being limited to the subtle nuances enabled by the hand drawn process which allows for greater sophistication of line quality, accurate dictation of imagined metamorphosis. Under Foley’s influence, the digital being the unpredictable and somewhat more radical transformer, projecting form into uncharted and unexpected territory.
The designs beginning to take on forms far removed from the original wording of each piece, now indeterminable and partially irrelevant in contrast to the excitement in transformation and progression.
Wonder (and play) taking over from the connection & origin of meaning within each word. This meaning became history as new forms and meanings took shape. A certain catharsis in metamorphosis. A particular transcendence.
The energising derision from experimentation and play bringing about a passion for each moment unfolding. An extension and acknowledgement of a unique personal location. Nowness in place. Empowerment, as architects of personal universe…
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